You also seem to forget that by the time cLED is ready for prime time, probably 5-10 years from now, projection will also have evolved. Forget SBA or DBA, will never happen without an AT screen, for example. I am sure one might be able to figure out a decent solution for audio as well, but probably not without (significant?) compromises. From what I hear, they often need to keep spares from the same batch in case some of the tiles misbehave, but what happens if you run out of spares? I guess everything can be solved at some point, but how about audio? Some physical laws are very hard to manipulate even with the most fancy of processors. Sure, emissive LED panels are really cool and all, but there are still a lot of caveats! I was recently down at Sony UK HQ in London and saw their version, and although visible tiles might be improved upon, the fact that at least 10 of the panels had a noticeably different colour output was certainly alarming. Here is a clip from the 4K upscaled feed from the Super Bowl.

My final theater layout will be 8 panels wide x 7 panels high which will give me a 16’ wide 2.0 aspect screen. What you see there is currently a 12’ wide image that’s 6 panels wide x 6 panels high. Here are a short videos of just a portion of my led wall, which is temporarily mounted in my loft, while my theater is being renovated. We primarily use both 0.9mm and 1.2mm panels with 1.2mm being ideal for 90% of installs. These can be had from about $100k - $140k, with installation and panel registrations running about $10k. We are working with sizes from 12’ - 16’ wide primarily, and with aspect ratios from 16:9 to 2.0 to 2.4:1 scope. And most importantly, to bring a line of panels that is affordable. We worked to design panels that are 1000nits, 88% of Rec2020 (equal to the new QD-OLED panels), perfect infinite blacks, accurate greyscale tracking, and completely seemless when viewed even at very close distances. I have 8 video wall installs in progress along with my personal theater which I’m currently re-working the front screen wall, to switch from a 14’ wide 2.0 4 way masking AT screen to a new 16’ wide 2.0 aspect LED video wall. I have spent the last 6+ months, working directly with a Chinese manufacturer to design and build a line of LED walls to meet my needs and specs, and those of my clients.

It looks like an incredible projector! I am sure it’s a very substantial upgrade from the 5000ES! I have no doubt the M4K25 can throw a beautiful 4K image, that no one could tell the difference from a true 4K chip during normal movie viewing.īut you are dead-on in regards to video walls. Lets start with Chris Cooley in Florida, one of our experts on emissive displays with a number already installed and also currently being installed.įirst of all congrats on your new M4K25 ARLED. Lets get this topic out of projector threads and into its own thread where it belongs.

14 segment display font